Writer(s): Cronenberg and Norman Snider, from the novel "Twins" by Bari Wood and Jack Geasland
Starring: Jeremy Irons (x2), Geneviève Bujold, and Heidi von Palaske
The reality here is that one of the twins (Beverly) does
fall in love with a woman (actress Claire Niveau, played by actress Genevieve
Bujold). As is par for the course
between these two, Elliott, who has always been the dominant one, had sex with
her first, makes plans to see her again, and then sends Beverly on the ensuing
dates, until he also gets his fill. The
hapless victims never tend to notice, until Niveau is alerted to the twins’
behavior from a friend. The basic
outline sounds kind of like a Hallmark movie, though if you think Beverly begs for
forgiveness, earns back her trust, and they live happily ever after, you would
be sadly mistaken. Actually, if you even
think this movie has much to do with a woman at all, you would also be missing
the mark.
The twins are both played by a single Jeremy Irons, who is
unbelievable in both roles. I would
think that the toughest part of assuming two characters would be giving them
each their own identity, but Irons gets it down in such a fantastic way that
soon, even though they look almost exactly the same, you’ll be able to tell
which is which just from their mannerisms, or their personality. Not that I would expect anything less from
him; at his peak, he was one of Hollywood’s
most consistently mind-blowing actors, portraying everything from “Die Hard”
villains, to Humbert Humbert himself.
Here, though, he doesn’t just put on a performance; he puts on an
absolute clinic. If you don’t believe
me, just watch the final thirty minutes, when not just one, but both of his
characters go completely off the deep end.
It would have been easy to overact those scenes, but he hits it with
such authenticity that it’s almost terrifying.
Also impressive is David Cronenberg’s restraint: For a man who essentially built his
reputation on excess and “body horror”, there are very few gross visual effects
throughout the entire movie. While this
will no doubt disappoint some (as it did me upon my first viewing), it still
provides some unsettling scenes, mainly courtesy of some custom-made, and
threatening-looking, gynecology instruments.
Yet even beyond these scenes, there’s a certain uneasiness that runs
underneath each frame, slowly building until its gripping finale.
I hate to admit it, but I will: I have an incredibly short attention span,
and any movie that’s made up of mostly dialogue for two hours is very tough for
me to get through (pretty sure it’s ADHD, but you have to jump through so many
hoops just to get diagnosed for that, that it’s not really worth it). But Dead Ringers managed to hold my
attention, especially in the final hour (where I’m more prone to dozing
off). The surefire, confident direction
of Cronenberg, as well as the solid writing (by Cronenberg and Norman Snider)
certainly helped, but it all comes back to Irons, who steals the scene in every
one he’s in.
It’s far from a perfect film: I thought Bujold’s performance was
hit-or-miss, and even question if her character was necessary in the first
place, while the twins’ gradual spiral into madness does tend to get a little
more predictable as the film goes on (if you can’t see the ending coming, you
haven’t been paying attention). But if
you’re looking for a more subtle “horror” movie, Dead Ringers could be for
you. It doesn’t have any haunted rooms,
or masked madmen on the prowl, but its effectiveness lies in its chilling
realism of two brothers, almost exact in appearance, but vastly different in
personality, who nevertheless are destined to share the same fate.
RECAP: Great writing, solid direction, and an out-of-this-world
performance are the cornerstones of David Cronenberg’s Dead Ringers. It’s far from a perfect film, but if you’re
looking for a more subtle brand of horror than your typical blood and guts
slasher film, then this could be a welcome change from the norm; this is horror
for the thinking man, and that’s not something you can say for many films in
the genre.
SCORE: 7.5/10
TRAILER:
No comments:
Post a Comment