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Tuesday, February 25, 2020

Parasite (2019)

Director: Bong Joon Ho
Writer(s): Ho and Jin Won Han
Starring: Kang-ho Song, Sun-kyun Lee, Yeo-jeong Jo, and So-dam Park

What could I possibly add to this conversation that the 400+ critics on Rotten Tomatoes (plus hundreds of others outside that network), many of whom are far more educated than I, haven’t already said?

This is impeccably-crafted, transcendent cinema; that rare movie that tears down global lines and proves that, at the end of the day, we not only belong to one world and not just one continent, but that we are all human. What other foreign movie, perhaps since Crouching Tiger, Hidden Dragon two decades prior, have forced large quantities of mainstream American cinemagoers to face the unimaginable torture of having to read subtitles for two hours? And, even more amazingly, left them wanting to discuss it with anyone who will listen immediately thereafter?

That alone should tell you everything you need to know about Parasite. Forget whatever qualms you have about the director, or subtitles, or foreign cinema in general, or whatever else is stopping you from watching it, and just go see it. The only tip I have is to go into it as clueless as possible. You may watch the below trailer, because it does a good job of piquing interest without revealing any spoilers (surprisingly), but outside of that, read nothing else; let director Bong Joon Ho be your guide through his twisty, genre-bending mashup.
It doesn’t matter where your movie preferences lean, because Parasite has a little bit of everything. There’s some suspense, creepiness, and violence, but all those things play second fiddle to the human aspect; almost every single character, no matter what “side” their on, feels like a real person that we could get to know. This gives them a natural likability that is only strengthened by the frequent moments of (sometimes dark, but often hilarious) humor. It also gives us a wider net to forgive the more far-fetched ideas that Joon-ho presents, which largely go unnoticed (or, at the very least, unscrutinized) thanks to the film’s many strengths; it’s almost as if he somehow programs his scenes to bypass the “logical” center of our brain, and head straight for the “emotional” section…and it works.

Seriously, if you consider yourself a fan of movies at all—whether in a spectator or creator role—just see it. There’s inspiration here for almost everyone, thanks to a prodigious filmmaker who, we have to assume, is at the very peak of his craft—and at a level far beyond what many could ever hope to achieve.

RATING: 10/10

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